LOTUS SYMPHONY ICON KEEPS DISAPPEARING WINDOWS 10 KEYGEN
It articulates a relationship to the land and its creatures, and to some extent, guides the way we act towards it. See Climate Change Narratives for more detail.Įcofeminism: An intersectional ecological-feminist approach, according to Gaard who offers an overview and history, ecofeminism frames these issues in such a way that people can recognise 'common cause across the boundaries of race, class, gender, sexuality, species, age, ability, nation'-and 'affords a basis for engaged theory, education, and activism'.Įnvironmentalism: Environmentalism is a very broad concept referring to a way of thinking about the natural world sometimes it is defined as a set of deeply-rooted values and a mode of action.
Moore.)Įcocriticism: Ecocriticism, or the field of literary ecological criticism, emerged as an academic field of enquiry in the 1990s initially as a strand in literary criticism that distinguished works in which human agency is not the sole significant interest, or which offer perspectives on the inter-relation of human and non-human.
(See ' World Accumulation and Planetary Life' and ' The Capitalocene, Part I', both by Jason W. The Capitalocene is a way ' to begin to ask how the accumulation of capital, the pursuit of power and the co-production of nature form an organic and evolving whole' ('World Accumulation'). So, if not anthropogenic, what? In a word: capitalogenic' ('World Accumulation'). There is no Anthropos, no humanity as a unified actor. Moore (Binghampton University), 'Capitalocene' removes Anthropocentrism from its central role in discussions of climate change, repositioning capitalism in its place: ' Anthropogenic implicates an actor that doesn’t exist. See Climate Change Narratives for more detail.Ĭapitalocene: as argued by Jason W.
As an ideology that determines how human cultures make sense of the world, anthropocentrism is defined as 'a human-centred ethical system' in which 'human beings are the sole bearers of intrinsic value or possess greater intrinsic value than non-human nature' (Mclean et al). In other cases, outside sources are provided.Īnthropocene: As coined by atmospheric chemist Paul Crutzen and limnologist Eugene Stoermer in 2000, the Anthropocene denotes the geological period in which humans have a decisive influence in altering the state, processes and future of the earth, usually suggested to have begun around 1800 with the European Industrial Revolution.Īnthropocentrism: The divide between nature and culture is one of the basic binaries in Western thinking. In some cases, these terms are explored more broadly in Dr Deborah Jordan's monograph, to which a link is provided. This brief glossary covers some of the terms in current use in climate change fiction and in discussions of both the fiction and the phenomenon. These critical works are supported by Climate Change Fiction: A Glossary, which seeks to provide some context for the terms used across the project. In addition to being richly illustrated, this new edition expands the critique beyond the original end-date of 2014, positioning the analysis against the recent boom in climate change fiction.Ĭlimate Change Short Stories is a supplementary research project by AustLit summer scholar Chloe Cooper, which examines the variety of short climate fiction by Australian authors, and positions them in the international context.Ĭhildren's Literature and the Environment, researched and written by Amy Cross, is a bibliographical dataset and collection of richly detailed online exhibitions of works for younger readers, from picture books to young-adult novels. National Oceanic and Atmospheric Administration (USA).Īccessible from the tiles below, you will find critical works on full-length and short climate fiction, accompanied by curated lists of novels, film and television, drama, and other works.ĭr Deborah Jordan's Climate Change Narratives in Fiction is AustLit's publication of a revised edition of the original 2014 edition. Skimming oil off the southeast coast of the United States.
0 kommentar(er)
