- #Tom clancy the bear and the dragon sitting flat how to
- #Tom clancy the bear and the dragon sitting flat series
John doesn't even care anymore, just as long as she doesn't fuck anybody else in their apartment it's not that he minds all that much, it's just that he really doesn't want to end up accidentally sleeping in some other guy's stuff. If only they understood each other when his books weren't between them. She spills gallons of red ink over his pages, and they always end up so much better for it. She gets how he writes- she can tease out what he thinks he's saying from what he actually says. And it's just easier not to rock the boat, because Nancy is, still and yet, the best editor he's ever had. Technically speaking, he and Nancy are still married, but only because both of them have hit such levels of apathy over their relationship that they can't even be bothered to end it.
#Tom clancy the bear and the dragon sitting flat how to
That was back when he was with Nancy- she'd almost had to pull them off of each other- but apparently Clancy knew how to hold a grudge.
In fairness, though, the snubbing could just as easily be because of that time John accidentally got tipsy at a party and told Clancy just what he thought about his politics. It pisses Clancy off, judging from the way he always snubs John at parties John doesn't like it either, because the guy hasn't written anything that was really compelling since The Hunt for Red October. The first one's gone up two million places in Amazon's rankings from where it was a year ago, and the latest one- the next to last in the series, he's pretty sure, unless he goes back and writes those prequels- has been on the NYT Bestseller List for weeks.Īnd now, finally, even though the first one's been out for going on six years now, people are calling him the next Tom Clancy.
#Tom clancy the bear and the dragon sitting flat series
This series he's been messing around with, the one about this mercenary called Jack O'Neil, has really taken off. Lately, though, it's been covering a whole lot more than just his living expenses. It pays the rent, and he supposes he can live with that. Just once, John wants to write something that makes someone- anyone- him- feel something.Įmotions have never really been John's thing, though, so he writes about explosions and spies and bomb plots. And by the time you get to the end, you're sobbing right there in your living room, and you're so touched that you don't even care. He reads and rereads anything that makes him feel like that, the kind of stories that start dismal and horrific and track steadily upwards, the kind that build up the briefest little flame of hope until it's a raging bonfire. John Sheppard just wants to write something that makes somebody cry.Īll the really good stories, all the ones John wishes he had even a prayer of emulating, they're sad and bittersweet and they make your heart swell when you even think about them. He still wasn't sure why maybe it took too much out of your hands. John was pretty young when he figured out that writing stories wasn't something that pilots or sharpshooters did. If he sat down and wrote about it, then he could make it real.
It just didn't make any sense to him the picture in his head was perfect, too perfect for his clumsy fingers to reverse-engineer with just a pencil and a piece of manila cardboard.Įven if he could have, drawing wasn't really good enough, anyway. John didn't- couldn't- absolutely failed at drawing anything. When he was little, John used to watch as other boys drew airplanes and gunslingers on the backs of their notebooks.
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